Frost/Nixon Information

Frost/Nixon is a 2008 historical drama film based on the 2006 play of the same name by Peter Morgan which tells the story behind the Frost/Nixon interviews of 1977. The film was directed by Ron Howard and produced for Universal Pictures by Howard, Brian Grazer of Imagine Entertainment and Tim Bevan and Eric Fellner of Working Title Films, and received five Academy Award nominations, including Best Picture, Best Actor and Best Director.

The film reunites its original two stars from the West End and Broadway productions of the play: Michael Sheen as British television broadcaster David Frost and Frank Langella as former United States President Richard Nixon.


A series of news reports document the role of Richard Nixon in the 1972 Watergate scandal, prior to his 1974 resignation speech. Meanwhile, David Frost has finished recording an episode of his talk show in Australia and watches on television as Nixon leaves the White House.

A few weeks later in the London Weekend Television (LWT) central office, Frost discusses the possibility of an interview with his producer and friend, John Birt. When Frost mentions Nixon as the subject, Birt doubts that Nixon will be willing to talk to Frost. Frost then tells Birt that 400 million people watched President Nixon's resignation on live television.

Nixon is recovering from phlebitis at La Casa Pacifica in San Clemente, California. He is discussing his memoirs when his literary agent, Irving "Swifty" Lazar, arrives to inform the former president of a request by Frost to interview him. Nixon rejects the proposal out-of-hand until he hears of Frost's extraordinary offer to pay Nixon $500,000. Nixon is interested and instructs Lazar to haggle; a deal is struck for $600,000. Frost and Birt fly to California to meet with Nixon. On the plane Frost meets Caroline Cushing, with whom he begins a relationship. At La Casa Pacifica, Frost makes an advance payment of $200,000 using his personal checkbook. However, Nixon's post-presidential chief of staff, Jack Brennan, expresses doubts that Frost will be able to pay the entire amount.

Frost tries to sell the interviews to the U.S. broadcast networks, but they all turn him down, partly due to Frost's lightweight reputation and partly due to the unprecedented payment to Nixon. Frost decides to finance the project with private money and syndicate the broadcast of the interviews. He hires two investigators "? Bob Zelnick and James Reston Jr. "? to help him prepare along with Birt. During the research process, Reston mentions a lead in the Federal Courthouse in Washington that he thinks he can lock down with a week of work, but Frost, over-confident, decides against it.

Despite being put on notice by Nixon and being warned by his own team, Frost does not fully realize the adversarial nature of the interviews and their importance to both the participants' future. Over the first three recording sessions, each two and a half hours long, Frost struggles to ask planned questions of Nixon. Nixon, well-prepared and canny, is able to take up much of the time during these sessions giving lengthy and self-serving monologues, preventing Frost from challenging him. The former president fences ably on Vietnam and is able to dominate in the area where he had substantial achievements "? foreign policy related to Russia and China. Frost's editorial team appear to be breaking apart as Zelnick and Reston express anger that Nixon appears to be exonerating himself, and Reston belittles Frost's abilities as an interviewer.

Four days before the final session, which will center on Watergate, Frost is in his hotel room, waiting for Caroline to call him from Trader Vic's regarding his choice for take-out food. The phone rings, and Frost, believing it to be Caroline calling, answers "I'll have a cheeseburger." He is astonished to discover that it is actually an inebriated Nixon at the other end of the line. Nixon drunkenly tells Frost that they both know the final interview will make or break their careers. If Frost fails to implicate Nixon definitively in the Watergate scandal, then Frost will have allowed Nixon to revive his political career at Frost's expense. He will thus have an unsellable series of interviews and be bankrupted. Nixon expresses his knowledge that he and Frost share a common background and psychological motivation: Both of them had to struggle against the elite to make it to the top of their respective fields, only to be mocked and brutally knocked back down. Frost gains new insight into his subject, and perhaps also into himself. But, despite their parallel experiences, Nixon goes on to assure Frost that he will do everything in his power to emerge the victor from the final interview.

The conversation spurs Frost into action. Having spent most of his time selling the show to networks, gaining advertisers, and participating in entertainment industry parties, Frost resolves to ensure the final interview will be successful. He calls Reston and tells him to follow up on the federal courthouse hunch and works relentlessly for three days to prepare.

As the final recording begins, Frost is a much more assertive and effective adversary, ambushing Nixon with new and damning information about Charles Colson, resulting in Nixon admitting that he did unethical things. Nixon attempts to defend himself with the statement, "When the President does it, that means it's not illegal." Frost, shocked by this statement, is on the verge of inducing the president to admit he took part in a cover-up, at which point Brennan bursts in and stops the recording before Nixon further incriminates himself. After Nixon and Brennan confer in a side room, Nixon returns to the interview, admits that he participated in a cover-up and that he "let the American people down".

Shortly before Frost returns to England, he and Caroline visit Nixon at his villa. Frost thanks Nixon for the interviews and presents him with a gift pair of Italian shoes that Nixon mentioned during their first meeting. Nixon is reluctant about wearing shoes without shoelaces and sees them as effeminate. Nixon, realizing he has lost, however, graciously thank Frost and wishes him well in future endeavors. Nixon then asks to speak to Frost privately. Nixon asks if he had really called Frost before the final interview and if they had spoken about anything important. Frost replies that Nixon did indeed call and they talked about cheeseburgers. Reston says that Nixon's lasting legacy was the suffix "gate" being added to any political scandal. The epilogue tells that the interviews were wildly successful and that Nixon wrote a 1,000 page memoir, but never escaped controversy until his death in 1994. At the film's close, Nixon watches David and Caroline leave and then leans over a railing of his villa, looking out at the sunset and contemplating the future.


Other figures and personalities depicted in the film include Diane Sawyer, Tricia Nixon Cox, Michael York, Hugh Hefner, helicopter pilot Gene Boyer (as himself), Raymond Price, Ken Khachigian, Sue Mengers and Neil Diamond. To prepare for his role as Richard Nixon, Frank Langella visited the Richard Nixon Presidential Library in Yorba Linda, California, and interviewed many people who had known the former president. On the set, the cast and crew addressed Langella as "Mr. President".


Frost/Nixon had its world premiere on October 15, 2008 as the opening film of the 52nd annual London Film Festival. It was released in three theaters in the United States on December 5 before expanding several times over the following weeks. It was released in the United Kingdom and expanded into wide status in the United States on January 23, 2009.

The film was released on DVD and Blu-ray on April 21, 2009. Special features include deleted scenes, the making of the film, the real interviews between Frost and Nixon, the Nixon Presidential Library and a feature commentary with Ron Howard.

Box office

Frost/Nixon had a limited release at three theaters on December 5, 2008 and grossed $180,708 in its opening weekend, ranking number 22. Opening wide at 1,099 theaters on January 23, 2009, the film grossed $3,022,250 at the box office in the United States and Canada, ranking number 16. The film's gross for Friday, January 30 was estimated the next day at $420,000. Frost/Nixon grossed an estimated $18,622,031 in the United States and Canada and $8,804,304 in other territories for a total of $27,426,335 worldwide.

Critical reception

Reviews of the film were positive. Review aggregator Rotten Tomatoes reports that 92% of critics gave the film positive reviews, based on 218 reviews, with a weighted average score of 7.9 out of a possible 10. Metacritic reported the film had an average score of 80 out of 100.

Critic Roger Ebert gave the film four stars, commenting that Langella and Sheen "do not attempt to mimic their characters, but to embody them" while Peter Travers of Rolling Stone gave the film 3˝ stars, saying that Ron Howard "turned Peter Morgan's stage success into a grabber of a movie laced with tension, stinging wit and potent human drama." Writing for Variety, Todd McCarthy praised Langella's performance in particular, stating, "[B]y the final scenes, Langella has all but disappeared so as to deliver Nixon himself." René Rodríguez of The Miami Herald, however, gave the film two stars and commented that the picture "pales in comparison to Oliver Stone's Nixon when it comes to humanizing the infamous leader" despite writing that the film "faithfully reenacts the events leading up to the historic 1977 interviews." Manohla Dargis of The New York Times said, "[S]tories of lost crowns lend themselves to drama, but not necessarily audience-pleasing entertainments, which may explain why Frost/Nixon registers as such a soothing, agreeably amusing experience, more palliative than purgative."

Dramatic license and factual inaccuracies

Both the film and the play take dramatic license with the on-air and behind-the-scene details of The Nixon Interviews. Jonathan Aitken, one of Nixon's official biographers who spent much time with the former president at La Casa Pacifica, rebukes the film for its portrayal of a drunken Nixon making a late-night phone call as never having happened and says it is "from start to finish, an artistic invention by the scriptwriter Peter Morgan". Director Ron Howard discussed the scene in detail on his feature commentary for the DVD release, pointing out it was a deliberate act of dramatic license, and while Frost never received such a phone call, "it was known that Richard Nixon, during ...the Watergate scandal, had occasionally made midnight phone calls that he couldn't very well recall the following day." Aitken recalls that "Frost did not ambush Nixon during the final interview into a damaging admission of guilt. What the former president 'confessed' about Watergate was carefully pre-planned. It was only with considerable help and advice from his adversary's team that Frost managed to get much more out of Nixon, in the closing sequences, by reining in his fierce attitude and adopting a gentler approach." Elizabeth Drew of the Huffington Post and author of Richard M. Nixon (2007) noted some inaccuracies, including a misrepresentation of the end of the interviews, the failure to mention the fact that Nixon received 20% of the profits from the interviews, and what she says are inaccurate representations of some of the characters. Drew points out a critical line in the movie that is particularly deceptive: Nixon admitted he "'...was involved in a 'cover-up,' as you call it.' The ellipsis is of course unknown to the audience, and is crucial: What Nixon actually said was, 'You're wanting to me to say that I participated in an illegal cover-up. No!'"

David Edelstein of New York wrote that the film overstates the importance of its basis, the Frost interviews, stating it "elevates the 1977 interviews Nixon gave (or, rather, sold, for an unheard-of $600,000) to English TV personality David Frost into a momentous event in the history of politics and media." Edelstein also noted that "with selective editing, Morgan makes it seem as if Frost got Nixon to admit more than he actually did." Edelstein wrote that the film "is brisk, well crafted, and enjoyable enough, but the characters seem thinner (Sheen is all frozen smiles and squirms) and the outcome less consequential."

Fred Schwarz, writing for the National Review online, said that, "Frost/Nixon is an attempt to use history, assisted by plenty of dramatic license, to retrospectively turn a loss into a win. By all accounts, Frost/Nixon does a fine job of dramatizing the negotiations and preparation that led up to the interviews. And it's hard to imagine Frank Langella, who plays a Brezhnev-looking Nixon, giving a bad performance. Still, the movie's fundamental premise is just plain wrong." Though generally approving, critic Daniel Eagan notes that partisans on both sides have questioned the accuracy of the film's script.

Caroline Cushing Graham, in a December 2008 interview, noted that her first trip with Frost was to the Muhammad Ali fight in Zaire, and that the two had been together for more than five years prior to when the film shows the two meeting. She remembered Frost as feeling that he did a pretty good job on every interview, whereas the film depicts him feeling he did a poor job with the first two interviews. She added that while the movie shows Frost driving, in fact they were always chauffeured because he was always making notes for the work he was doing.

Diane Sawyer, portrayed in the film in her role as one of Nixon's researchers, said in December 2008 that, "Jack Brennan is portrayed as a stern military guy," citing both the play and what she'd heard about the film version. "And he's the funniest guy you ever met in your life, an irreverent, wonderful guy. So there you go. It's the movies."

An early scene in the film set on the southern shore of Sydney Harbor in 1974, with the Sydney Opera House as a backdrop, shows buildings adjacent to the iconic structure which did not exist until 1998.

Awards and nominations

Award Show Nominations Result
Golden Globes Best Motion Picture
Best Actor (Langella)
Best Director (Howard)
Best Original Score (Zimmer)
Best Screenplay (Morgan)
Vegas Film Society Best Actor (Langella)
Best Director
Best Editing
Best Film
Best Screenplay
Screen Actors Guild Best Actor (Langella)
Best Cast
Academy Awards Best Picture
Best Actor (Langella)
Best Adapted Screenplay
Best Director (Howard)
Best Editing
BAFTA Awards Best Film
Best Director
Best Actor
Best Screenplay-Adapted
Best Editing
Best Make up and Hair

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