Stuart Rosenberg Biography

Stuart Rosenberg (August 11, 1927 " March 15, 2007) was an American film and television director whose notable works included the movies Cool Hand Luke (1967), Voyage of the Damned (1976), The Amityville Horror (1979), and The Pope of Greenwich Village (1984).

Early life

Rosenberg was born in Brooklyn, New York City, New York, the son of Sara (née Kaminsky) and David Rosenberg. He studied Irish literature at New York University in Manhattan, and began working as an apprentice film editor while in graduate school.

Career

After advancing to film editor, he then transitioned into directing in 1957 with the syndicated television series Decoy, starring Beverly Garland as an undercover police woman. It was the first police series on American television built around a female protagonist. Over the next two years, Rosenberg directed 15 episodes of the 1958"1963 ABC police-detective series Naked City, which like Decoy was shot in New York City. Rosenberg was then hired to direct his first film, Murder, Inc. (1960), starring Peter Falk, but a strike by both the Screen Actors Guild and the Writers Guild resulted in his leaving the film and being replaced by its producer, Burt Balaban. Rosenberg returned to television, directing 15 episodes of The Untouchables, eight of the anthology series Bob Hope Presents the Chrysler Theatre, five of Alfred Hitchcock Presents, and three of The Twilight Zone, along with episodes of Adventures in Paradise, The Barbara Stanwyck Show, Ben Casey, Clint Eastwood's Rawhide, and Falk's The Trials of O'Brien, among other shows. He won a 1963 Emmy Award for directing "The Madman", one of his 19 episodes of the esteemed courtroom drama The Defenders.

Following the Lutheran-financed U.S.-German co-production Question 7 (1961), filmed in West Berlin, Germany, Rosenberg shot the 1965 TV-movie, Memorandum for a Spy and the 1966 telefilm Fame Is the Name of the Game before making his major-studio debut with the Paul Newman hit Cool Hand Luke (1967). Rosenberg had come across Donn Pearce's chain gang novel and developed the film with actor Jack Lemmon's production company, Jalem. Years later, Rosenberg would replace Bob Rafelson on another prison movie, Brubaker (1980) starring Robert Redford.

Other Rosenberg films include The April Fools (1969), with French actress Catherine Deneuve in her American debut opposite Jack Lemmon (who plays the first Rosenberg lead character named H. Brubaker); the Newman movies WUSA (1970), Pocket Money (1972) and The Drowning Pool (1975); the Walter Matthau police-detective thriller The Laughing Policeman (1973); the Charles Bronson action picture Love and Bullets (1979); and another action movie Let's Get Harry (1986), for which Rosenberg used the Directors Guild of America pseudonym Alan Smithee. He would be famous for straight dramas and crime films, the latter genre he would do constantly. The most acclaimed movie he did after 'Cool Hand Luke' would be The Pope of Greenwich Village with Eric Roberts, Mickey Rourke, and Daryl Hannah.

He made his last film, the independent drama My Heroes Have Always Been Cowboys, in 1991.

In 1993, Rosenberg became a teacher at the American Film Institute. Among his students were those who would go on to make names for themselves: Todd Field, Darren Aronofsky, Mark Waters, Scott Silver, Doug Ellin and Rob Schmidt.

Personal life and legacy

Rosenberg died of a heart attack at his home in Beverly Hills, California. He was survived by his wife, Margot Pohoryles, whom he had met at NYU; son Benjamin Rosenberg, a first assistant director; as well as four grandchildren.

His students' films The Spiderwick Chronicles, The Alphabet Killer, and The Wrestler that were released in 2008 were dedicated in memory of him.

Awards

• 1961 Berlin International Film Festival OCIC Award, for Question 7
• 1961 Berlin International Film Festival Youth Film Award, Best Feature Film Suitable for Young People, for Question 7
• 1961 nomination, Berlin International Film Festival Golden Bear, for Question 7
• 1963 Emmy Award, Outstanding Directorial Achievement in Drama, for The Defenders: "The Madman"
• 1968 nomination, Directors Guild of America Award: Outstanding Directorial Achievement in Motion Pictures, for: Cool Hand Luke